Tokyo
Arrival. Shibuya at night. Robot Show in the basement. Opening of the four days. Vertical footage of the crew arriving, detail shots from the show setup.
In four days, at one destination, we produce raw vertical footage and stills. Sorted into a Media Hub, full usage rights handed over. For brands, tourism boards, and hotel groups.
From the briefing to material handover. Three phases, one clear endpoint: your Media Hub.
A thirty-minute call. Which brand, which destination, which stations, which raw material you need. Followed by a treatment with a shooting plan.
Three people, six stations, four days. No standby. Full equipment for vertical footage and stills photography. Daily review on set.
Two weeks after the shoot. Vertical B-roll and stills, uncut and ungraded, in a delivered folder structure. Full usage rights, no expiry.
Six stations, three islands, one hundred hours. This is what the format looks like when it runs.
Arrival. Shibuya at night. Robot Show in the basement. Opening of the four days. Vertical footage of the crew arriving, detail shots from the show setup.
Sunrise at the sacred mountain. Three hours of stillness. Vertical drone work, stills in soft light, highly brand-friendly.
Bamboo forest in Arashiyama. Slow motion 120 fps in vertical. This is the raw material your agency builds the hero cut from.
G-Class, karaoke basement, night city. Vertical behind-the-scenes material that delivers BTS content for a whole quarter.
Gorge of the gods. Boat pass and drone. Quiet vertical footage that works without a cut.
Thousand-year cedars and moss-covered stones. Closing material, dense and quiet. Six stations, one folder full of raw vertical and stills.
Raw material plus a Media Hub. Editing and grading stay with you or your agency.
A selection from the Japan summer production. Real footage, no stock photos.
What the format looks like for a hotel client. Suite interiors, restaurant, spa, resort grounds — all raw vertical and stills, ready for your editing pipeline.
For carriers, lounges and stopover programmes. Tarmac, cabin reality, lounge architecture, live cooking, service detail — material that fits an airline's social, onboard and brand storytelling.
Three people, no influencer. Classic film craft, accelerated to one hundred hours.
Tariq Khan
Media Hub & Marketing
Builds the back end with modern tools. Designs the Media Hub structure and the delivery pipeline, so your team finds, uses, and re-cuts every clip without friction. Also handles on-location production with the crew.
Sascha Gottschalk
Travel Director & Producer
The producer in the room with the client. Owns the route, the schedule, the on-set logistics, and your brand's experience of the shoot. The reason a 96-hour production stays calm and on plan under pressure.
Marc Bächtold
Content & Branding
Content specialist with his own agency and years of international freelance work. Fully equipped, with a sharp eye for brand fit, he owns the creative grammar that turns raw material into a campaign your team is proud to post.




First step: a 30-minute concept call. Pilot range on request.